Rangabali is a Telugu film directed by Pawan Basamsetty that falls short of delivering an engaging cinematic experience. Starring Naga Shaurya and Satya, the movie aims to pay tribute to mass Telugu cinema but fails to captivate viewers with its disjointed storyline and lack of substance. While Naga Shaurya and Satya bring occasional laughs, the film struggles to find its footing and falls short of its aspirations.
Plot and Execution:
The story of Rangabali revolves around Shaurya (Naga Shaurya), a character who seeks attention and enjoys being the center of attraction. Alongside his childhood friends, played by Satya and Rajkumar Kasireddy, Shaurya embarks on a love story and encounters conflicts that impact his hometown, Ramavaram. However, the film fails to delve deeper into character development or engaging storytelling, resulting in a superficial and disjointed narrative.
Superficial Heroism and Overused Tropes:
Rangabali attempts to portray Shaurya as a mass hero who effortlessly overpowers his opponents, symbolized by his preference for white shirts. The film also relies on the cliché trope of contrasting Shaurya’s aimlessness with his hardworking father, who runs a medical store.
Although the father-son relationship is established well, the film fails to explore this dynamic further, leaving the characters and story lacking depth.
Missed Opportunities and Shallow Storytelling:
The central conflict arises when Shaurya must alter the identity of Rangabali Centre, a fictional location linked to popular blockbusters like Rangasthalam and Baahubali.
This presents an opportunity for personal growth and a chance to provoke a shift in people’s perspectives. However, Rangabali disappoints on both fronts, as the film lacks substantial reasons to root for the characters and fails to fully utilize moments of humor provided by Satya and Rajkumar.
Weak Character Development and Heavy-Handed Climax:
Shaurya’s romantic involvement with Sahaja (Yukti Thareja) and the ensuing conflict with her father drive the film towards political themes and issues of identity. However, the introduction and disappearance of numerous characters without proper development result in shallow and caricature-like portrayals. Naga Shaurya’s presence alone is insufficient to overcome the film’s shortcomings.
In an attempt to redeem the narrative, Rangabali presents a heavy-handed climax emphasizing the importance of focusing on positive things rather than consuming sensational news. Unfortunately, this message fails to compensate for the overall lack of substance and disjointed storytelling present throughout the film.
Rangabali review: Conclusion
Rangabali disappoints as an entertaining cinematic experience, despite the occasional laughs provided by Naga Shaurya and Satya. The film’s tribute to mass Telugu cinema lacks conviction, and its disjointed storyline and shallow execution leave audiences wanting more.
While there are glimpses of potential, Rangabali fails to effectively utilize its characters and ideas, resulting in a lackluster outcome. In retrospect, the promotional spoof interviews, with Satya mimicking media personalities, proved to be more innovative and enjoyable than the film itself.